Monthly Archives: November 2015

ICYMI: This Week’s Broadway Buzz

Motown Returns To Broadway

Callin’ out around the world are you ready for a limited engagement of Motown The Musical? This production will run for 18 weeks beginning July 2016 at the Nederlander Theatre.

Sylvia Announces Its Last Broadway Wag

This production starring two-time Tony Award winner Matthew Broderick (It’s Only a Play, Nice Work If You Can Get It, The Producers, How to Succeed…), Tony Award nominee Annaleigh Ashford (You Can’t Take It With You, Kinky Boots, Hair) and Tony Award winner Julie White will play its final performance on Jan. 3, 2016. At closing, this show will have played 79 performances and 27 previews. Sylvia is currently playing at The Cort Theatre.

Dames At Sea Sets Closing Date

This production will play its final performance Jan. 3, 2016. At closing, this production will have played 85 regular performances and 32 previews. Dames At Sea is currently playing at the Helen Hayes Theater. In addition, The Broadway Booking Office is scheduling the first national tour of Dames At Sea which is set to sail in fall 2017.

Grease: Live Releases a Summer Lovin’ Brand-New Promo

Fox’s live musical special stars Julianna Hough as Sandy, Aaron Tveit as Danny, Vanessa Hudgens as Rizzo and Keke Palmer as Marty. This one-night special airs Jan. 31, 2016 from 7:00-10:00p.m (ET live/PT tape-delayed).

The Tony Awards Announces Date and Theatre


The American Theatre Wing’s 70th Annual Tony Awards will take place at the Beacon Theatre on June 12, 2016.  The award ceremony will air on CBS from 8:00-11:00pm(ET/PT delayed).


Theater Review: Fiddler On The Roof


A reimagined, earthy production, combined with the traditions of exciting and goose bump-inducing dancing, created a nostalgic night of theatre at Bartlett Sher’s production of “Fiddler on the Roof.” This breathtaking production began previews on Nov. 20 at the Broadway Theatre.

“Fiddler on the Roof,” with music by Jerry Block, lyrics by Sheldon Harnick and book by Joseph Stein, is based on Sholem Aleichem’s short stories of Tevye, a dairyman living in a small Jewish village in 1900s Russia. He struggles to support his wife and daughters during a time of prejudice and poverty.

Sher’s recent productions including “South Pacific” and “The King and I,” all share a commonality with “Fiddler on the Roof.” Each production is beautifully simplistic, allowing for ones imagination to go wild.

Danny Burstein, who plays the role of Tevye, delivered a passionate performance. His portrayal of a progressive father who wants the best for his children was natural and heart-felt. Burstein’s rendition of ‘If I Were A Rich Man,’ a highlight of the night, showed off his vocal chops and comedic timing.

Samantha Massell and Adam Kantor gave star-quality performances as Hodel and Motel, respectively. Massell, the vocally strongest of Teyve’s daughters, sang a heart-rending rendition of ‘Far From The Home I Love.’ Her performance resulted in sniffles throughout the house of over 1,500 patrons.  Kantor brought charisma and animation to his role making the loyal tailor loveable to all.

The artistic and energetic characteristics of this production were thanks to Israeli-born, United Kingdom-based choreographer, Hofesh Shechter.  Shechter’s “refreshed” choreography married a new movement language with Jerome Robbins’ iconic dances. ‘The Bottle Dance,’ in particular, drew gasps from the audience. This culturally realistic choreography made the audience feel like they were transported to Anatevka.

This production is sure to make a rich man out of Burstein and Shechter during Tony Award® season. The original production in 1964 won nine Tony Awards®.  These awards included Best Musical, Best Book of a Musical, Best Performance by a Leading Actor, Best Performance by a Featured Actress, Best Producer, Best Director, Best Composer and Lyricist and Best Choreography.

With a current running time of two hours and 45 minutes, the show has some pacing issues to work out. In addition, there were apparent blending problems that can hopefully resolve over time.

“Fiddler On The Roof” opens on Broadway Dec. 20th.

#TrendyTuesday: Dream of a Lovely Sleep With Lullaby Light Cube (4 Winners)


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Journalism Start Up

Digital Publisher Adam Westbrook posted, If the future of journalism is indeed entrepreneurial, we have to start thinking with a business hat on.” Within this digital space, journalists have the unique ability to create a start-up of their own and in some cases, make money on it. A start-up is an incredible idea that allows an idividual to follow his/her passions of journalism, perhaps in a niche market.

My passion is theatre, in particular, the Broadway community. For a mock start-up for a class assignment, I am planning on creating a space for journalism within the Broadway/ touring production industry. I follow many Broadway news outlets including,,,, to name a few. These outlets tend to do a good job of breaking Broadway news and creating digital content. Unfortunately, these outlets often serve as a primary platform to buy tickets and are muddled with Broadway advertisements.

For my mock start-up, I will create a digital space for Broadway news and interactive content.  Instead of much of the focus being on ticket sales and advertising, I hope to create a space where individuals can read what’s happening in the Broadway and touring community without distraction.

Monopolies Are Slowing Down American Internet

The U.S. is home to world-leading tech companies including Apple, Netflix, Facebook, Google and Microsoft.  With that said, the U.S. holds an unimpressive rank in both download and upload speeds.

The internet was invented on January 1, 1983, as a means to transmit data between multiple networks. This online world became more recognizable in the 1990s with the creation of the World Wide Web.  With the internet’s history deeply rooted in the U.S., why are our download speeds slower than countries including Estonia, Hungary, Slovakia, and Uruguay?

The problem lies in the creation of monopolies of large telecommunication companies. Comcast, Time Warner Cable, Verizon and other leading telecommunication divided up the markets and placed themselves in positions where there would be no competition.  Since there is virtually no competition, there is no reason to make the internet faster.

There needs to be competition for our ranking to improve.  We must follow South Korea’s lead to control monopolies.  According to Professor Richard Taylor and Eun-A Park, “[T]he South Korean market was able to grow rapidly due to fierce competition in the market, mostly facilitated by the Korean government’s open access rule and policy choices more favorable to new entrants rather than to the incumbents. Furthermore, near monopoly control of the residential communications infrastructure by cable operators and telephone companies manifests itself as relatively high pricing and lower quality in the U.S.”

We must reclaim our spot as leaders in the internet realm which mean we need to have stronger regulation in terms of telecommunication monopolies.

Planned Parenthood Right-Wing Video Hoax

Reporting on controversial issues can be difficult. Consider abortion, gay marriage and the death penalty- those issues center on personal/family views and dip into religious belief.  No matter the journalistic findings, adult’s views will remain consistent on these particular topics.

Errol Louis, CNN Political Commentator, stated his beliefs on the Right-Wing Planned Parenthood Video hoax. The hoax claimed that Planned Parenthood was selling body parts of aborted babies. The story became part of a 30-month-long investigative journalism study by The Center For Medical Progress.  This claim was found to be completely untrue.

Louis said: “To those already convinced that abortions should be safe, legal and rare, it looks like Planned Parenthood is responsibly doing exactly what a medical provider should. People who already want to ban all abortions everywhere will see the conversations as some nefarious trade in baby parts. In other words, the videos are less an investigative expose than a mirror in which a divided nation can look at its view on abortion.”

In recent months, abortion, gay marriage, and the death penalty have circled around the media.  It seems that people either agree or disagree with the topic and there is little room for discussion. It is not a journalist’s job to sway audiences’ opinion regarding a topic, but they do have a responsibility to expose the truth.  If individuals have their mind set on particular issues, is it a waste of time to report on them? Is there a more effective way to report?

‘Citizen Journalist’ Face Ethical Dilemmas

On Nov. 17, 2008, Mayhill Fowler of The Huffington Post reported on an Obama campaign event that was “closed” to mainstream journalists.  Fowler had been reporting on the Democratic presidential campaign, but this story revealed itself as her ‘big break’.

At the time, Fowler was a contributor to Obama’s campaign and was invited to the event as a guest, not a reporter. Fowler recorded the event and revealed the following quote:

“And they fell through the Clinton administration, and the Bush administration, and each successive administration has said that somehow these communities are going to regenerate and they have not. And it’s not surprising, then, they get bitter, they cling to guns or religion or antipathy to people who aren’t like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.” – President Barack Obama

Fowler was unsure of whether to report this statement because of her contribution to the campaign.  Ultimately, she published her report of this event which led to around 200 angry e-mails. Obama campaign officials made no comment on this article.

Thinking about my code of ethics, I would not have reported on this issue:

1. The event was not open to reporters.

2. There is a very apparent conflict of interest. There is a serious problem with contributing to a campaign and then reporting on it. The bigger issue may be that Fowler had been following the Democratic presidential campaign trail while supporting one particular candidate.  I find it hard to believe that she was able to report fairly and accurately.

3. Fowler did not tell anyone that she was recording. I believe it is important to ask permission before recording an individual. This event is a slippery slope because President Obama is a public official which changes many rules. At the same time, this event was considered to be private and therefore, an ask should have been made.

I do believe that journalists are responsible for being the fourth estate and informing the people of what they need to know. Personally, I would not have written this story because of my code of ethics. This type of reporting is ultimately up to the individual.

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Oh, What A Night: Broadway’s Best Frankie Valli’s

In honor of Jersey Boys‘ 10th Anniversary, I’ve compiled a list of my favorite Frankie Valli’s on Broadway:

4. Michael Longoria

3. Ryan Molloy

2. Jarrod Spector

1. John Lloyd Young